Katia Szechtman

In Patagonia, Leandro — the protagonist of Felt like real.— asks himself: is it possible to imagine a virtuous future in a world that seems destined for ruin? Filmed over the course of a decade (2014–2024), the film is built arround a deadly conflict between two brothers. Inspired by the life of Rafael Pinedo, it weaves echoes of “various pasts” in Super 8mm, filmed in the 1960s and 70s, with the present.

Ana and Lucio invent a religion and found a small cult in a closed, wealthy community. They perform rituals, pray, and work in a garden where they grow a psychoactive plant for their ceremonies. Mara, searching for her brother Damián, joins the community. Initially idyllic, the cult reveals a dark side. Mara connects with Lucio after consuming the plant's pollen, hallucinates, and discovers Ana's sinister plan. When she tries to escape, she discovers the end of the world.

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

Belgrano neighborhood, Buenos Aires, Argentina. Someone is watching Fernando Berlasky from one of the countless windows in front of his apartment and sending him e-mails.

Paula goes through a night, trying hard to make something happen that is not happening to her. As she gets drunk in all the places she visits, she meets an ex-boyfriend, some friends who are not with her and Fernando. What was her threat, ends up being her treasure.

A famous actor makes an appearance in an inland village accompanied by his friend. After waiting for ages for the car they're supposed to return in, they decide to walk back. They get lost but continue on their way through the countryside, towards the woods, with no direction. Not suspecting that they are already inside the Hot Zone.

A cinematographic meeting of four writers who are also actors, directors, teachers and playwrights. This multiplicity of trades is related to the word and the common point of two episodes four that compõem or film. Four stories, four protagonists: two men, two women who reflect, in different ways, on writing, reading, the generational clash and the creative process.

A famous TV actor negotiates conditions: what things does he accept and what does he reject to work one night on a "women only" album. The negotiation and the subsequent presence in the bowling alley will be a portal to an unknown space.

Irene and Juan escape a get together with friends to talk about the state of their relationship. No matter how hard they try, nothing will be the same.

An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.