Sergey Gabrielyan

In the late 17th century Russia, a dark magician arrives at the capital in search of the ultimate power hidden within the Magic Worlds, the entrance to which is located inside the Sukharev Tower and is tightly guarded by Jacob Bruce, the Wizard of Balance. When Jacob's apprentice Petya and daughter Margarita accidentally rip apart the ancient manuscript that is the source of his powers, they must venture into the Magic Worlds to restore it.

No plot available for this movie.

No plot available for this movie.

A comedy about Masha First (the grand-granddaughter of Johnny First) who comes to Russia from USA trying to make her own movie.

A university professor, who wants to slow down a little, moves with his wife and daughter, from the big city to a small town and starts a new job as a teacher in a girls' gymnasium. Something weird is happening with the class, they seem to hide a secret. As it turns out, these girls don't play with dolls...

No plot available for this movie.

The last day of Ivan Bulkin’s life has come. Death is at his front door and wants him to confirm with his signature that he was satisfied with his life. But Bulkin thinks he can trick the grim reaper and cheat death.

A funny comedy about the unemployed actor Pirozhkov who desperately tries to find the treasure hidden by Tsar's family.

Konservy (2007) (Tins, Russian: Консервы) is a film about a journalist who possesses information on uranium sales and is set up by his enemies and sent to prison. Initially the film was planned as a political thriller, but along the way it gained features of action with elements of mysticism and surrealism.The film is full of vivid pictures of spy and terrorist games in Moscow, modern Gulag in the Far North, gold mines, escape with elite spetsnaz in the pursuit, underground community of permanently high punks, and other quite unusual settings.

Based on the novel by Booker Prize Winner Ludmila Ulitskaya, The Funeral Party is set in August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN?