Reid Shelton

The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

Futuristic prospective series pilot, a distant cousin the 1975 theatrical violent sport movie "Rollerball," revolves around a turn-of-the-millennium family on the Great Eve (the night before the year 2000 begins) planning for a reunion. Son Richard Beymer is an inventor working with prosthetic devices to help young athlete brother Drake Hogestyn perfect his game of combat hockey to maintain his skills as a national hero, and Cristina Raines is a socially conscious doctor who wants nothing to do with their prideful father, Bert Remsen, to the distress of their loving mother, Priscilla Pointer.

STREET DANCERS: They're bold and they're bad; they're breakers — freestyle dancers who know a mean beat as well as a mean street. STAGE DANCERS: Grand and graceful gypsies — polished performers who are passionate about their art and the theater. When the choreographer of a troubled Broadway-bound musical brings the two groups together to energize his show, the results are less than successful. The professional dancers rebel when the street-wise breakers invade their turf — the theater. Tempers explode and the opening of the show is threatened. The exciting dance sequences, including the grand finale, were choreographed by Beat Street's Lester Wilson.