Alonso Echánove

After a long exile, Gabriela returns to her family’s land to care for her ailing father and make peace with her painful past. Upon her return, she is faced with Diego, the reason why she left, and the new owner of the land.

La Güera is the director of the "El Amanecer" rehabilitation center, where she is responsible for providing support to young people with drug addiction problems, following the "Twelve Steps" model. One day, La Güera's cousin asks her for help in admitting her young son Samuel to the center; La Güera goes to invite him to join the rehabilitation center. Samuel refuses and is taken there by force, which complicates his adjustment to the place. La Güera tries to encourage him and give him attention so that he can get used to his new surroundings. Everything seems to be going well when an armed group bursts in and takes several inmates, including Samuel. La Güera is forced to turn to one of her associates to get him back, revealing a dark secret.

Drugs won’t solve your problems, but they might help. At least that’s what Memo, a artist tortured by his own failure, thinks. About to turn 30, and in a troubled relationship with his girlfriend, Memo decides to try LSD for the first time in hopes that a psychedelic trip provides him with the answers he so desperately needs. Through the use of this hallucinogenic substance, Memo will access parts of his psyche previously unknown even to him. Come along for the ride.

Feature film located at the beginning of the 20th-century which tells the story of the town "La Esperanza", whose dying mining boom receives a fatal blow.

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?

When his father passes away, Juan Pablo inherits his guitar. Decided to continue his father's legacy, he abandons his career and becomes a mariachi.

A talented rural student struggles with his teacher and fellow students.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

A senior official of the Mexican political system decides to fake the capture and death of The Coyote, public enemy number one in Mexico, to make this happen, he cuts a deal with his family, who require a dead body to pose as a double. Topillero is responsible of executing the plan. But on this journey he is reunited with his wife and son, whom he abandoned years ago.

No one could ever imagine that one day La Chingada Vieja would fall in love. Because she is always alone, because no one has ever turn to see her, because everyone is always closing the door at her nose, because when they feel her coming they cross themselves, but most of all because no one could ever fall in love with death. But El Hombre sin nombre, has appeared in her life for good. Only the confusion of an avenging town and the desire of four men to arrive to heaven could change the plans of these two beings. Of whom the purist feelings alive have resurrected them.