Miguel Arribas

Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940s. Despite of their innocence, the thirteen were soon executed without even a trace of evidence of any wrong doing.

No plot available for this movie.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

Clementina befriends Lola’s nerdy lawyer, Valerio, and slowly a romance develops between them. Meanwhile, old fisherman and model-maker Colo has found a consignment of drugs floating in the sea and tries to get rid of them to raise money to save Lola’s house. The adventure element of pic is in a smuggling gang’s attempt to recover the drugs.

No plot available for this movie.

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

A group of young people meet the harsh reality after graduation.