Tod Slaughter

Tod Slaughter’s last big screen appearance on camera, delivering a Sweeney Todd monologue.

A manor caretaker relates the tale of a mad squire, and vanishes.

A former police detective turned private investigator is approached by two elderly sisters, who say that someone is terrorising them, but it turns out that the man they believe is responsible is long since dead.

A sinister crook is implicated in blackmail, greed for emeralds, a secret formula and murder. Thee episodes from a 1952 British television series called "Inspector Morley, Late of Scotland Yard, Investigates" were joined together and released theatrically.

BBC live outside broadcast from the Theatre Royal, Stratford, of Tod Slaughter’s production of his melodrama Spring-Heeled Jack.

Hart and Moore are grave-robbers who provide cadavers to the medical students of 19th-century Edinburgh. When the supply becomes low and demand still great, the two decide to create their own supply, a plan that proves profitable when they stick to vagrants, prostitutes and drunkards. But when they poison likable Jamie, the townsfolk retaliate. NB: This film was originally written to be about Burke and Hare, but after it was completed, the British censors refused to allow its release on the grounds those names themselves were offensive; thus the entire soundtrack was recut so that new names - Hart and Moore - recorded by the film's actors, were cut into the previously recorded lines, replacing the offending "Burke" or "Hare", sentence by sentence.

Tod Slaughter goes about the countryside strangling everybody. His evil scheme is to destroy the family who wronged him. He has a secret lab complete with a torture chamber, featured in the films climax. Probably the most maniacal portrayal Tod ever gave.

Tod Slaughter goes about the countryside strangling everybody. His evil scheme is to destroy the family who wronged him. He has a secret lab complete with a torture chamber, featured in the films climax. Probably the most maniacal portrayal Tod ever gave.

A flagrant plug for the trusty safety razor disguised as a comic history of shaving, this witty treat was made by EVH Emmett, whose sardonic tones graced many an educational film in the 1930s and 40s. Jumping from the Bronze Age to Ancient Egypt to the dicey barbers of Victorian England (cue Tod Slaughter hamming it up in "Britain's most fruity drama", Sweeney Todd), the film follows the development and mass production of King Camp Gillette's 1890s invention.

In this lurid melodrama, Tod Slaughter plays a villain who murders the wealthy Sir Percival Glyde in the gold fields of Australia and assumes his identity in order to inherit Glyde's estate in England. On arriving in England, "Sir Percival" schemes to marry an heiress for her money, and, with the connivance of the cunning Dr. Isidor Fosco, embarks on a killing spree of all who suspect him to be an imposter and would get in the way of his plans to stay Lord of the Manor.