Jarmila Novotná

"The Great Magician" - Max Reinhardt (1873-1943) was an Austrian theater and film director, director, theater producer and theater founder. With his Jedermann production on August 22, 1920, he founded the Salzburg Festival.

In Holland, poor but industrious and honorable 15-year-old Hans Brinker and his younger sister yearn to participate in December's great ice skating race on the canal.

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

Enrico Caruso's only passion is to sing. For that, he leaves his hometown of Naples, Italy, and travels to America to sing for the Metropolitan Opera. At first, his lack of education and poor background make him an outcast in the high-class opera world. Eventually, his voice wins him both fans and the hand of his love, Dorothy. But his nonstop pace and desire to perform at any cost eventually take their toll on the singer's health.

In postwar Germany, a displaced Czech boy, separated from his family during wartime, is befriended by an American GI while the boy's mother desperately searches for him.

Count Dimitri is sentenced to death for hitting Prince Paul who was trying to steal a kiss from Countess Vera. Prince Paul pardons him because of a young girl who knew how to conquer his heart at the right time.

No plot available for this movie.

Based on the 1920 operetta "The Last Waltz" by Oscar Straus.

Czechoslovakian opera star Jarmila Novotná plays the title role in the Austrian tunefest "Frasquita". Based on a Franz Lehár operetta, the story is the usual frothy nonsense. Dolly (Charlott Daudert) is engaged to marry Harald (Hans Heinz-Bollmann), but she's really in love with Hippolit (Heinz Rühmann). Harald is likewise enamored of another, namely Frasquita (Jarmila Novotná).

The story, set in Constantinople, of a young man who falls in love with a woman much older than he is, and her daughter falls in love with him also. An American critic was vastly impressed by the day-and-night locale shots, and wrote that the film-maker had discarded and soft-pedaled the soft and sentimental in favor of the realistic and logical.