Nani Widjaja

This film tries to read the idea of film archiving in the mind of Misbach Yusa Biran. A character who gave his entire life to preserve and reinterpret the discourse of film as a source of Indonesian film history. The archives stored are entirely in Sinematek Indonesia.

Ummi Aminah, a 68 years old ustadzah (the term originally means teacher but in Indonesian urban contexts it often translates to Islamic preacher), has loyal congregation. She has seven children. From her first failed marriage, she has two children: Umar whose wife is Risma. Risma is a typical daughter-in-law, cynical and is not in a good relationship with Ummi’s family. Risma is always worried that Umar’s family will take advantage of their wealth. This often drives Umar over his edge so that he threateans to divorce Risma. Aisyah, the second daughter, is a housewife whose husband is Hasan, a middle level civil servant, with two little children.

Three best friends are in an adventure to buy the steamed brownies "Mama Cake" for one of their friend's dying grandmother. But every time after they already bought it, there must be a bad accident happening to them.

Three ghost hunters are back in action. This time they are hunting down a Kuntilanak who transformed into a human after the nail in his head was accidentally removed by Mr. Joko. Trouble ensues when the Kuntilanak seeks revenge.

In this comedy, Syamsul is envious of Ina, his rival grocer. One day, he sees Ina worshiping a bra that he thinks is the talisman that increases Ina’s sales. In fact, Ina is checking a bra she had just found. Provoked by his wife, Syamsul intends to steal the bra.

No plot available for this movie.

Madrim, a porter, feels that he is the most unfortunate man on earth. His friend, Kadir, a mushola (an Islamic prayer place) keeper suggests that he pray diligently. Madrim follows this advice but his fate does not change. Madrim then thinks of robbery. In his prayers, he threatens God that if his wish is not fulfilled within three days, he will turn to the devil. On the third day, lightning strikes Madrim and he falls unconscious.

As her wedding draws near, a woman is torn between love and nostalgia when she runs into an old crush and relives her youth.

Robby disapproves of Doyok, his only son, becoming an artist. He sends Doyok to Yogyakarta to continue his studies while staying at the home of Uncle Simon (Robert Syarief). Doyok talks his friend Kadir into posing as Doyok himself and going with him to Yogyakarta. Once Kadir is accepted into Simon’s household as Doyok, it becomes very clear that the discipline there is really tough because Simon was formerly a member of the Indonesian Armed Forces. In the meantime, Doyok meets up with Rina (Yayik Artikandi), his girlfriend, who gets him a job as a taxi driver. However, this masquerade is uncovered when Robby shows up in Yogyakarta to check on how his son Doyok is doing.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.