Aliki Vougiouklaki

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Against the backdrop of the Nazis' rapid rise to power, a Greek music student arrives in 1936 Berlin and becomes a cabaret singer. In Europe, WWII rages on, and joining the Resistance is the only way to fight back. Will Nelly do her part?

A famous actor has problems with her relationship and the organization of her theatrical performance.

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Maria, the daughter of Barbie Lambrou is dumb village we all laugh. The new village teacher Gregory, just to know is willing to learn the language of the deaf. Her father is impressed that manages and communicates with his daughter and radically changing behavior towards her. One evening Maria would raped by the chairman of the village, but will not say anything to anyone until after three months revealed her pregnancy.

A young woman arrives in Athens with her dog after the death of her father, the head of a bouzouki band that broke up because television took away their work. She settles in the humble home of a friend, who is married to a petty crook, and looks for work. At some point, she meets a blind student and a mutual attraction develops between them, which blossoms into love.

The plain of Thessaly, 1910. The tenant farmers suffer untold hardships, both from the Arvanites invaders who ravage and seize their possessions and from the chief landlord of the area Stratos Karatzas, who claims the lion’s share of their harvest. The dynamic daughter of one of the tenant farmers, Maya, who is about to get married to a young farmer, Lefteris, leads their struggle for better conditions and confronts Karatzas – as well as his niece Vgenio, who also wants Lefteris. The latter plots and succeeds to separate them. Lefteris leaves for the army and Karatzas persuades Maya to marry him. Lefteris is captured during an ambush set by the Turks, but in the end he is set free and returns to Maya’s arms forever.

Dimitri Vranas, a young professor of medicine at the university, by mistake will be found in a youthful party where he meets Angela. Angela, has just scold me with her boyfriend Chris, a student of medicine will follow Dimitris home and although he would clear, she would spend the night in the bathtub. The next day he is forced to leave, but will rejoin him in school teaching. You know each other better and Dimitris would propose to become governess Andreas

The year is 1965. Natasa Arseni visits Dachau, the place where she was found by the Americans at the end of the World War II. She returns to Greece, and during the train ride she recalls those past events. Before the beginning of the Greek-Italian war, she met Orestis . With the German invasion, Orestis, who was an officer in the Greek army, left for the Middle East. She followed him and accompanied him back to occupied Greece on a mission. She was arrested, interrogated and tortured and was finally sentenced to execution.

The son of a shipping magnate finds himself increasingly drawn to a lively circus clown, unaware of her profession. This doesn't sit well with his companion, and a war in the name of love begins. Is he capable of loving the funny girl?