Micha Bergese

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

Sara is led by her grandfather through the mise-en-scene of a film being shot in ltaly. The landscape in which they walk is the film's plot, masquerading as a state of mind, Its sub-plot woven in with a selection of Bach's Goldberg Variations. The young girl sights Venus strolling through these landscapes, an ‘agent provocateur’ from the country of myth. A filmmaker, In whose imagination this plot is unraveling, approaches a group of producers to fund his film "Aphrodite". The film begins to shift back and forth between archaic and modern notions of myth, highlighting the distinctions between myth and story and the relationships between history and biography.

Zina, the daughter of Leon Trotsky by his first wife, is undergoing freudian analysis in Berlin in the 'thirties. Meanwhile Trotsky is in exile in Prinkipo having been driven from power by Stalin. The Nazis rise to power in Germany and Austria and Zina commits suicide.

An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?

One of the earliest events to combine dance on film projected in juxtaposition with live performances by the same dancers. The films included rehearsals of the sequences being danced in their final form on stage; portraits of individual dancers, and different interpretations of the same segment of choreography by different dancers intercut with images of them preparing to come on stage. Also included blown-up Polaroid close-up portraits of dancers.