
Antonio Esposito (born 15 July 1950) is an Italian singer, songwriter and musician. Esposito was born in Naples. He started playing percussions in his teenage years. In the early 1970s, he played sessions and recorded with musicians such as Alan Sorrenti, Don Cherry, Don Moye, Gato Barbieri, Eumir Deodato, Brian Auger, Gilberto Gil and Pino Daniele. In 1975 he recorded his first solo album, Rosso...
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Cold War on Ice, produced by Emmy Award-winner Ross Greenburg, chronicles the historic 27-day ice hockey Summit Series in September of 1972 between a team of NHL All-Stars from Canada and the Soviet National Team during the height of the Cold War.

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The documentary focuses on the impressive event of the Italian youth world organized at Parco Lambro in Milan in 1976. The gathering, four days dedicated to counterculture and pop music, was attended by students, young people, workers, lumpenproletarians, feminists, gays and young people from extra-parliamentary groups. The memories and testimonies of those who organized, sang or simply participated will be a commentary on the splendid images of the time. For the first time, meaning is given to the exclusive and complete material shot by Alberto Grifi and six other operators at Parco Lambro in 1976.

Tullio Venturini, a retired widower, has a daughter, Anna, who is an actress. However, he is the only one not to know that she works in the porn industry.

Tony is a young Neapolitan musician. He has a lot of problems and a past with drugs, but also with women. He is engaged to Susy, but he betrays her with a university professor, who has an invalid husband, but also with other young aspiring singers, who try in every way to break into the world of music. Among these there is Elena, engaged in various difficulties to organize a concert with the best names of Neapolitan music.

Between June 26 and 29, 1976, the sixth edition of the Festival of the Juvenile Proletariat took place at Parco Lambro in Milan, an event conceived by the countercultural magazine Re Nudo. The organizers invited Alberto Grifi to film those days filled with meetings, debates, and concerts, but not everything went as planned. This is the 58-minute version (from 27 hours of footage) edited by Grifi himself after the event.
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