Sergio Hernández

In his final moments, elderly Fernando falls into a trance where his mind, like a wandering ghost, finds refuge in an old palace from the last century. In the middle of an imposing hall, photographs of his youth are projected: beach vacations, birthdays, and portraits of his beloved Ani, who left long before him. Two female figures appear on the projection, invoking a ritual where the living and the dead meet again, and where our gaze is both complicit and participatory in this final family reunion.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.

Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.

A group of Chilean actors reflect on their works when they see footage off their characters on film and TV.

In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.

Pancho Veloso, an old writer of celebrity articles, returns to his hometown of Chilean Patagonia after more than 40 years of having fled. When trying to write "salable" stories about that area so called "the end of the world", he will face his past and leave his imposture.

A magician intend to seduce his audience, but his gags get disconnected from him, including the rabbit in his hat. Despite not being free, the coney try to help him

Valparaíso, Chile, 1933. Years of psychiatric treatment and a seemingly happy marriage will not take away Elisa's memory of that youthful love. So, when some years later, Rebecca becomes a beautiful feminist, Elisa's fragile world will collapse in front of her eyes.