Jiqun Liu

This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.

This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.

Historical film based on the life of Wu Zetian, the only female emperor in Chinese history

"Lianhua Symphony" - a small collection, consisting of eight short films shot in 1937 by young filmmakers Shanghai Lianhua Film Company. Part 1: Two Yuans (兩毛錢) directed by Situ Huimin / Part 2: Nightmares in Spring Chamber (春閨斷夢) directed by Fei Mu / Part 3: The Stranger (陌生人) directed by Tan Youliu / Part 4: Three Friends (三人行) directed by Shen Fu / Part 5: Landscape Under the Moonlight (月下小景) directed by He Mengfu / Part 6: The Ghost (鬼) directed by Zhu Shilin / Part 7: Rhapsody of a Madman (瘋人狂想曲) directed by Sun Yu / Part 8: Five Little Brothers (小五義) directed by Cai Chusheng

Yu is a village boat-rower who loves smiling. On the contrary, serf girl xiao Hong never smiles because of her miserable life. Yu volunteers to teach her smile.

In 1930, two sisters from the countryside, the serious Zhang Lan (Ruan Lingyu) and the frivolous Zhang Tao graduate from the secondary school where their mother Zhang Jie serves as principal. They both love their cousin Zuo, but have ambitions other than marriage. Their lives change dramatically when both attend university in Shanghai and encounter modern urban life and rapidly changing society. The film also depicts the emergence of Chiang Kai-shek's 1934 New Life Movement. Lianhua Film Studio did the film to appease the Nationalist Party which accused it of primarily presenting left-wing films, which was true.

Six young men from the city take jobs building roads for the Chinese Army

Young sprinter Lin Ying enrolls in a sports college in Shanghai. As she becomes a sports celebrity, she starts to mangle with the upper class and has gradually forgotten the true essence of sports.

The entaglement of a deserted child Qiling who start to work for his biological father Menghua’s construction company 24 years later.

A country girl and her boyfriend arrive in Shanghai for a better life. They soon find only desperation. She is raped and falls into prostitution as he drifts into revolutionary circles. Her access through her trade grants her greater access which she uses to aid her revolutionary lover with tragic results.