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Monique Andrée Serf (9 June 1930 – 24 November 1997), known as Barbara, was a French singer. She took her stage name from her grandmother, Varvara Brodsky, a native of Odesa, Ukraine. Barbara became a famous cabaretière in the late 1950s in Paris, known as La Chanteuse de minuit ('the midnight singer'), before she started composing her own tracks, which brought her to fame. Her most famous songs i...
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On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.
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Follow in the footsteps of burlesque actor Pierre Richard, a key figure in French cinema in the 1970s and 1980s.
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To examine the image of this face, this look, there are fragments of raw stories, mineral lights, snatches of an endless dream ... The insistence clashes, until abstraction , To the decomposed time, to its chaos with the gleams of stone. From that face coming back, nothing was said. The look can not be deciphered. The illusion, even to the darkness, remains mute. Signs of an absent song.
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In the early 70s, Barbara discovered herself backstage on her French tour. The artist plays with intimacy and camera glances. Between concerts, she talks to herself and the men in her life.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative. Leonie finds herself attracted to Leon, a Belgian who was a mercenary in Katanga in 1964, wounded and carrying psychological scars as well. The other men continually play practical jokes on Leon, some of them cruel. As Leon courts Leonie, his horrid mother brings him emotional distress as do his memories of war. Can the two of them get past these obstacles?
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