Severija Janušauskaitė

Alice von Trota returns to her father’s manor in Latvia in 1919 to sell it and start a new life. She meets the hostile resistance of the local workers and discovers she has been lured into a carefully tailored trap set by a demonic lawyer, a decadent underground organisation and its necrophile leader. While escaping the clutches of her “helpers”, she meets some silent-cinema enthusiasts and learns to use the cinematograph as a tool for healing and self-discovery, as a weapon against her enemies and as a way to create a masterpiece.

Champion fighter Osvald is banned from competing after injuring a girl in a street fight. Stranded in his bleak Lithuanian hometown, he takes refuge in a run-down Taiwanese restaurant owned by his only friend, Ju-Long. Court-ordered therapy leads him to Skaistė, a woman who offers a glimpse of a life he's never known. But as Osvald clings to this fragile hope, his violent past resurfaces, forcing him to choose between redemption and self-destruction.

Viktor is a brilliant businessman. His brain calculates financial schemes no worse than any computer, and his intuition is better than a lie detector "reads" each person. The price for such success is problems in the family. But who doesn't? One day, Viktor accidentally learns that the whole world, seemingly created by his hands, is someone’s long-thought-out plan, and he himself is not the master of life, but just a puppet, which is already pretty tired of the invisible puppeteer. Viktor starts the game ahead of the curve: to to live on and save his loved ones, he needs to find his "programmer" until he finally wiped him off the face of the Earth. Expensive villas with exquisite interiors, airports, abandoned bunkers, deceptively comfortable houses or high-tech business centers - everywhere there is a place to hide another clue for Victor.

1899, the Christmas-time St.Petersburg. Ice-covered rivers and canals of the capital seethe with festive activities. On the eve of the new century those who should not be destined to meet, come together. They are people from different worlds: Matvey, the son of a lamplighter, whose only treasure is his silver-plated skates; Alice is the daughter of a high-ranking official dreaming of science. Each of them has his own difficult life-story, but having accidentally met they rush forward together in pursuit of their dreams.

Closing day of the season in the boarding house at the Vietinghoff Palace in the province of Latvia. Here the material world and atmosphere of the 1930s are reconstructed as fully as possible. According to the rules of the institution, guests must abandon all their means of digital communications. And this is what they are looking for: to disappear, at least for a while, and become inaccessible to the outside world. The lingering summer heat drags the guests into an insane frenzy where surrealistic and grotesque situations build up an ambiguous comedy.

11-year-old Polina, who knows nothing about her past and parents, lives with her spiteful aunt and wicked cousin. They secretly plan to get rid of the girl at the day of her birthday, all to get their hands on her mysterious inheritance. Chased by the villains, Polina manages to escape on a magical quest to discover the secret about her family. But she only has until midnight to achieve this goal.

Five novels about a radio network in our life. Someone use it as a tool for influence, someone for an expression of feelings and someone just for cynical calculation.

Shortly after the fall of the iron curtain, 12-year-old Kovas, travels to his mother, Viktorija’s homeland for the first time. It has been 20 years since Viktorija escaped the USSR and has now returned to reclaim her beloved family estate.

Kaunas, Lithuania, 1941, Lithuanian activist Andrius Gluosnis kills a Jew Isaac in Lietukio garage massacre. Years after the incident Gluosnis is haunted by the guilt.

When her estranged father dies suddenly, artistic director Egle begins to hear voices who prophesy her father’s return. Fearing for her life, Egle solicits the help of an actress friend from the theatre, and through role-play and ritual they are drawn deeper and deeper into the torments of Egle’s past.