Wang Shin-Hong

A coastal city in Brazil. Kai arrives from Taiwan for holidays with a broken heart. A broken air conditioner sends her into Fu Ang’s umbrella store. He could become a friend, but the rainy season doesn't arrive and his shop disappears. While looking for Fu Ang, Kai discovers the story of Xiaoxin and a group of Chinese workers in a posh skyscraper. Kai finds herself strangely mirrored in Xiaoxin’s tale.

On this day, an elderly Taiwanese mother and daughter, accompanied by a Burmese volunteer, journey from a rural area to an urban animal crematorium, tenderly carrying the body of their beloved cat, in hopes of ensuring that its final journey is marked by peace and grace.

Qiao Yan, born in a border town in southwest China, becomes a star actress after much effort and struggle. But despite her aura of glamour, she always feels hidden pressure. When she receives a threatening anonymous letter, her long-estranged sister suddenly comes to see her.

Ah Lun, who has a choice to make in the underworld, decides to be a god of love in Chinese mythology. As he advances with his tasks on Earth, his biggest challenge is to tie a red string with the woman he loves the most.

After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.

Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.

Lianqing and Guo, who hail from Burma, flee their country and seek refuge in Thailand. Gho's feelings for Lianqing may just surpass her feelings for him.

A young farmer and his father are barely able to survive on their meagre corn harvest and so they make their way down from the mountains to the village to borrow money from their relatives working in jade mines or on opium plantations. But missing paperwork, deceit and corruption have left them impoverished too. Finally, the father pawns his cow for a moped so that his son can earn a living as a taxi driver. His first customer is Sanmei, who has returned to Myanmar to bury her grandfather. She decides not to go back to China and to get out of an arranged marriage in order to begin a new life with her son in her old country. When Sanmei accepts a job as a drug runner she persuades the young farmer to be her driver.

Simple, yet complex. A man (favourite actor Wang Shin-hong) meets a woman (standard actor Wu Ke-xi) on a moored ship, a sort of floating palace decorated like a Buddhist temple. The woman or her spirit struggles with her memories and the man takes on the form of a Buddhist monk in his next life. Complex and yet simple. The man, the woman and the camera move gracefully 'dancing' through the space. Only the thought of escape.

Arranged by a smuggling syndicate, A-Hong and his young teen sister along with a group of Burmese youngsters sneak across the Myanmar/Thailand border and arrive in a remote town called Dagudi in Northern Thailand. A-Hong's sister is taken away by the gangs as her mother has sold her to them. A-Hong goes to Bangkok and works under a tour guide, a wildcatter from Myanmar who has lived in Thailand illegally for years.