
Wu Ke-xi (Chinese: 吳可熙, born 6 February 1983) is a Taiwanese actress. She has had starring roles in most of Midi Z's films. She was nominated at 53rd Golden Horse Award for Best Leading Actress for her role in The Road to Mandalay.
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A sudden loss catalyzes an unlikely bond between two migrants in the Chinese community of Queens. Navigating lives far from home and the painstaking labor that supports them, they journey through grief together in hopes of finding family.

An unexpected kiss unburies memories and longing for Shu-yi, a mother quietly holding her family together despite her unhappiness. As her rebelling son Han grows drawn to the enigmatic Xue-jin, Shu-yi rekindles her past connection with the same woman in this tenderly crafted exploration of family dynamics, identity and desire.

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

A, the last human on the planet. X, the god, demon, or the future in A's nightmares. In 1972, a futurologist book precisely predicted the human destiny manifested in East Asia. In an unknown era, the last human found a mysterious message from an electronic device and embarks on a quest for a future from the past. In ten chapters, the audience explores this dream-like prophecy.

A retelling of the biblical book of Hosea set against the backdrop of the California Gold Rush of 1850.

No plot available for this movie.

It tells the story of a mother’s desperation to locate her child when the abductor dies before her child can be located. With time running out, the child’s mother seeks the assistance of a spiritual medium.

This romantic comedy is about a loser practicing how to “LOVE”.

After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.

Thief Fei Long witnesses a rape in progress and flees the crime scene. Day by day, his sense of guilt builds up until he once again meets the foreign female caretaker from that fateful night . . .
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