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After the romantic comedies Love Made to Order, Superwoman, and Casting for Love, director Eva Toulová comes with a story in which the main role is not love, but power and money. The initial impetus for the creation of Mole's world was the real-life case of Josef Roušal, the owner of a Prague amusement park. For years, he has been rejecting the verdicts of state authorities that he operates his business without the necessary permits and infrastructure.

Veronika and Mirek try to revive their relationship with a horror-themed Valentine’s trip to the Slavkov Forest, known as the “Knot of Evil.” The tour group includes anxious guide Alex; Ludmila, a detective novel fan sent by her kids; Honza, an extroverted gay journalist seeking a big story; and David and Dana, a married couple who reflect what Veronika and Mirek fear becoming. The bus visits historic massacre sites that seem unimpressive at first, but after Veronika discovers a strange doll, eerie changes unfold. Tensions rise as the travelers’ darker sides emerge—fear, aggression, and suspicion lead to growing hostility. A haunting cry echoes through the woods, suggesting the presence of a mythical being tied to the Slavic legend of the Navka, a spirit from the realm of the dead.

The main characters start their dream jobs and their lives finally take the right direction. Or is it not quite the walk in the park they imagined? Eva is the only woman to get a job at the best advertising agency in the country, but she has no idea that she will be working under a sexist boss. Vítek, on the other hand, has finally decided to open his own hypnotherapy practice after many years, but he encounters misunderstanding from those around him, who have no idea what to expect from hypnotherapy. Everything changes when Eva receives an advertising assignment with a single goal: to make the client fall in love with her.

Lukáš, Alžbetka's son, takes off into the world looking for happiness and love. His godmother, the celestial Lady Winter, keeps an eye on him. He arrives late in the fairy-tale land that she leads him to. Fear reigns where once cakes grew on trees. The miraculous ram has disappeared and the royal town is cursed. Lukáš has to decide what is closer to his heart: a fortune or love?

The central character of the romantic comedy Casting for Love is Stela Nebeská, an unsuccessful actress who, approaching forty, realizes that she is unlikely to make it big. She loses her job at the theater, where she only played minor roles anyway. Her career failure is followed by personal failure - her husband starts cheating on her and doesn't even try to hide it. But Stela is not willing to accept defeat and is determined not to give up without a fight. She vows that, come what may, she will find someone who will make her husband green with envy. So she launches a grand audition for a new love. She starts dating, but every date is with an eccentric and unsuitable suitor, and every date ends in disaster. Will Stela finally find the right one? Or have all the decent men died out?

Story of a group of Boy Scouts and their first encounter with the erotic, laughable, disturbing, and yet oddly beautiful world of adulthood. Faced with secrets and pretense, their friendship goes through trial by fire.

A battle over a family inheritance breaks out among the main characters of the comedy. Their ideas about what to do with it vary. A quirky widow full of life sees it one way, while her repeatedly divorced daughter, unemployed son, and his ex-wife see it another.

The Little Man lives happily in his little house in the Hollow Mountain. His peaceful life ends once he begins to have dreams about a mysterious house where he is to find what he desires. Even though he does not feel like having any desires, he crack the mystery himself.

What if the events in a key era in our history were actually completely different than what our history textbooks try to tell us? What if Master Jan Hus didn't even get warm in Constance, let alone burn up? What if Jan Zizka had more than one healthy eye? This animated comedy from director Pavel Koutský playfully breaks the myths about the Hussite era as the pedestal of history is occupied not by preachers and military leaders but by two unbelievable scatterbrains, who become the heroes of their time against their will.

The second part begins shortly after the death of Michal Dostál, the biggest bastard of them all. Michal's father and grandfather are convinced that teacher Majer was behind the murders of all three students and was avenging his sister's death. They begin to psychologically torment Majer and search for evidence. The new police investigator Karas, who takes over the case from the deceased police investigator Paleček, is also looking for evidence. Karas immediately suspects something is amiss in the deaths of the "bastards" and also begins to focus on Majer, who is now the school principal.
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