Doroteja Nadrah

The aimless life of an alienated petty thief takes an unexpected turn for the worse when he steals a bicycle from an enigmatic girl who spends her nights fighting crime.

A trip into grandma's intimate life shows the status of Slovenian women in the first half of the 20th century.

Based on motifs from The Triple Life of Antigone by Slavoj Žižek, this film reflects on today’s planet and political “chaos” by placing the politicians, the decision-makers and the influencers of today in the roles of Žižek’s version of the ancient Greek drama Antigone. But what are the politicians roles? Does the Antigone of today represent populists, anti-migrants and fundamentalists, or those who would oppose them?

Bruno lives at a home for the elderly and is in love with a co-resident named Dusa. Their love story is fragmented, as they tend to constantly forget each other. Thus, they can always meet for the first time.

A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.

Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn't know everything about her mother, she slowly immerses herself into a strange, almost dreamlike world far from reality...

After giving birth in a hospital, Ana enters a bureaucratic labyrinth whose proportions and consequences she cannot even imagine.

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.