Avraham Heffner

The movie, set in the Israeli 1969 War of Attrition, tells the story of a prestigious military band, and the tensions and ego crises new band members cause when joining the band. Will the band survive?

In the Southwest of 1915 Carlos backs an intended uprising of the common countymen against his father Phillip, a despotic landowner who exploits the rural poors in his silver mines. But Carlos' indecision and his love for his young and beautiful stepmother leads into a failure.

A Quebec architect, working in Israel, visits a psychoanalyst to learn why he has an insatiable libido.

At the start of the 1967 Six-Day War (June 5-10) between Israel and the surrounding Arab nations, a team of eight Israeli commandos, with their female boat captain in tow, are sent on a suicide mission deep into the Sinai to destroy an important Arab radar station at Sharm El Sheikh to pave way for the main invading Israeli forces.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.