Max Andersson

To promote their book Bosnian Flat Dog, Swedish comics creators Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummified Marshal Tito in a refrigerator. They encounter a number of artists, musicians, publishers and other characters populating the post-Yugoslav indie cultural scene. As the journey continues through increasingly improbable surroundings, the protagonists begin to question themselves and the reality they find themselves in. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction.

killer.berlin.doc combines a documentary realism focussing on Berlin with a fictional narrative about ten people playing a game of 'killer'. In the game, no-one knows the others' identify and each is both perpetrator and victim. This cyclical element and the seemingly random exploration of different characters is reminiscent of the non-linear pathways of interactives.

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

Spik-Bebis (Nail-baby) lives in a warehouse. He starts the day by hitting a nail into his head. Shot entirely in Super-8, this live action film features “fast cars, fancy dinners and unusual hairdos”.

Animating the 1973 painting by Marie-Louise Ekman, exactly what the title indicates but much bolder.