
Luis Ernesto Franco, born December 21, 1983, is a Mexican actor, writer, producer and model. He is one of the founders of the production company Los Weros Films.
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After Mariana's tragic death, Daniel embarks on a moving journey from Tijuana to La Paz in search of closure. Through breathtaking landscapes and intimate conversations, he confronts his deepest emotions and discovers that the most difficult journey is within himself.

Sara and Enrique's marriage is going through a monotonous crisis he's completely clueless about. Fortunately, Sara hears from Lucy a secret that might be the answer to saving her relationship: Lucy and Ricardo practice polygamy.

When the grandmother decides that it is time to put the family affairs in order, the fights begin to inherit the house. (A sequel to Grandma's Wedding.)

What does a thrill-seeker tween girl do when her mom forbids her to enter a BMX race? Cast an actor with nothing to lose to play her approving dad.

A dysfunctional family travels to Cuernavaca to celebrate their grandmother’s wedding.

A male student begins a torrid affair with his female teacher, but she soon realizes that the relationship won't get them anywhere.

A comedy about alcoholism that follows the relationship between Mateo and his best friend, who always gets drunk.

A desperate woman accidentally murders her unfaithful husband the morning of a big party honoring his recent Pritzker Prize, now she must survive the pain of heartbreak and a night of celebration, without being found out.

A dysfunctional family travels to Cuernavaca, to celebrate their grandmother's birthday. One pretends to have a boyfriend she just met. Another has a girlfriend who is in love with one of his brothers. Another can not stand the way the grandmother treats him but he has been afraid of her for so long...until now.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.
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