Lio

No plot available for this movie.

No plot available for this movie.

No plot available for this movie.

No plot available for this movie.

A charity event with renowned french artists brought together for the first time to offer the public new interpretations of the most emblematic titles linked to women's rights.

Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous." Labeled frivolous, hysterical, or simply too free and too loud, they faced criticism yet used controversy as a force for change, challenging norms and advancing women's rights. This documentary retraces seventy years of their bold and unconventional journeys, telling the story of the fearless women who shaped history and fought for a more equal world.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

No plot available for this movie.

Threatened and beaten by her ex-husband for many months, Julie Douib, 34, mother of two young children, had gone to file a complaint many times. On March 3, 2019, Julie was shot by her ex-partner in L'île Rousse in Haute-Corse. On the night of 16 to 17 April 2018, after several years of domestic violence, Laura Rapp finally found the courage to file a complaint: her spouse tried to strangle her in front of their two-year-old daughter. After a year of pre-trial detention for attempted homicide, her ex-spouse is released pending trial.

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.