
Richard Travis Hall is an American comedian, writer, documentary maker and musician, first coming to prominence as a sketch comedian in the 1980s. He wrote and performed for a range of American networks, in series such as Fridays, Not Necessarily the News (popularising the "sniglet" neologism), and Saturday Night Live.
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Desperate to save his sick daughter, working-class Ben Richards is convinced by The Running Man's charming but ruthless producer to enter the deadly competition game as a last resort. But Ben's defiance, instincts, and grit turn him into an unexpected fan favorite - and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters, but a nation addicted to watching him fall.

Meg, a music manager, travels from New York to London to manage a boy band, Five Together, and find them a Christmas number one to bolster their flagging career. She finds a song on the internet posted by an ailing thirteen-year-old girl, Nina, and tries to obtain permission to have the song re-recorded by Five Together, but she discovers she has competition from the songwriter, Nina’s uncle Blake. What follows is a romantic comedy about two worlds colliding – with a young woman at the centre who desperately wants her uncle to find love and for his song to hit the number one spot by Christmas Day.

2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.

In this sobering look at the current state of the American Dream, comedian Rich Hall explains how the US viewed and treated labour throughout its history and why this inevitably led to the economic and social problems Americans face today. Award-winning comedian Rich Hall explores the American dream and the dictum that came over with the very first pilgrims who set foot on Plymouth Rock - work hard and you will succeed. With his sharp wit and acerbic insight, Rich looks at how Americans strive to achieve this dream and how it's been explored and perpetuated by politicians, industrialists, artists, writers and film-makers.

Award-winning comedian Rich Hall takes a country music journey from Tennessee to Texas to look at the movements and artists that don't get as much notoriety but have helped shape the genre over the years. With the help of prominent performers and producers including Michael Martin Murphey, Robbie Fulks and Ray Benson, Rich explores the early origins of country music in Nashville and Austin. He visits the rustic studios where this much-loved sound was born and discovers how the genre has reinvented itself with influences from bluegrass, western swing and americana.

An examination of the sordid machinations involved in becoming president of the United States. Rich Hall looks back at some of the dirtiest and nastiest presidential campaigns of the past, proving that the 2016 race to the White House is not the first time the contest has got personal.

Catch the king of rapid fire wit perform his sell out ‘3:10 TO HUMOUR’ show. Rich Hall’s critically acclaimed grouchy, deadpan style has established him as a master of absurdist irony. Renowned for his expertly crafted tirades, quick fire banter with audiences, and delightful musical sequences, Rich Hall’s plain-spoken growling indignation and acerbic observations have an unerring talent for hitting his targets with precision every time, leaving his audience hanging on every word and winning him fans all over the globe. Recorded in London’s West End at the Vaudeville Theatre, ‘3:10 TO HUMOUR’ is Perrier Award winner Rich Hall at his best.

Rich Hall takes the viewer on a skewed but keenly-eyed journey to the Land of Dreams.

Comedian Rich Hall goes to the Lone Star state in search of the real Texas and asks what it means to be a Texan. From the Alamo to the oil industry and everything in between, Rich explores the landscape, the people and the true heart of this historic state.

A host of great comic talents, on stage and in sketches, gather together at London's O2 Arena to play to an audience of 16,000 in aid of the charity Great Ormond Street Hospital.
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