Cazuza

It explores the last two years of Brazilian singer Cazuza's life, from his AIDS diagnosis until his death. Nilo Romero, Cazuza's music producer and the film's director, created a collection of rarely seen and controversial images.

The documentary celebrates the poetic legacy of Lupicínio Rodrigues, investigating the musical contribution and historical context of this composer born in Rio Grande do Sul and author of hits that surpass generations.

The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

From his origins as a poet to his success as a singer and composer, Arnaldo Antunes revisits the most remarkable moments of his career.

A documentary about Barão Vermelho, one of Brazil's most famous rock bands during the 1980s, following its steps through archive footage and interviews with all of its remaining members and associated parties.

Documentary of the legendary 1985 music festival in Brazil.

Brazilian soccer players Sócrates, Casagrande and Vladimir lead a historic movement in sports by adopting a democracy within their team, making a statement against the country's military dictatorship.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.