Olof Ås

Harald Handfaste is a 15th century Swedish Robin Hood, who fights against foreign oppression. He becomes the leader of a band of highwaymen and they start dealing with the evil bailiff. However, the bailiff will stop at nothing to catch Handfaste and show the people who is in charge. He even attempts to marry Handfaste's beloved Karin, and when she refuses to subdue, the bailiff decides to execute both her, her father and a monk who has been helping them.

City girl Emma marries the farmer Nicklas but gets involved in a love triangle with his brother Ragnar.

When silly inventor Svensson gets mistaken for Swedish/American aviator Smith, he is accidentally enlisted in the military and drawn into unexpected romantic affairs.

Baron Baltzar Casimir Von Gahl - after an earlier adventure commonly known as "Baron Olson" - owns an old farm, but has huge debts.

Gunnar works at a rail road in the woods and blasts a large boulder. Out of the ashes comes Satan himself - with cloven hoofs and a big mean grin.

A naval adventure that focuses on the rivalry among the crew, particularly the indignation wrought by the behavior of inplacable Captain Steen. Dick, one of the sailors, is one of the most rebellious and draws up plans to exact vengeance. The opportunity arises, but an incident that may sink the ship changes the focus of attention. The lighting for the film and the composition of the scenes are regarded as the highlights of the movie.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

A woman searches for the child she gave up at birth.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.