Moustapha Alassane

Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Cheriaa used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole.

Moustapha Alassane is a living legend in African cinema. His adventures take us to the era of “pre-cinema”, to the times of magical lantern and Chinese shadows. He is the first director of Nigerien cinema and animation films in Africa. He tells very old stories with current technology, but he also narrates the most current events with the most archaic means. This documentary not only tells the adventure of a human being and an extraordinary professional, but the memories of a generation, the history of a country, Niger, in its golden age of cinema.

An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.

One taxi driver, the other mechanics or masons. They drive a moped as Johnny Halliday and wear pants Zazous. During the weekend, they play in a real western with guns purchased at the supermarket, loaded with blanks. They love violence, their favorite actors are Edward G. Robinson and Glenn Ford. The heroine is selling at the Galerie du Niger. When the Nigerian filmmaker Mustapha Alassane turned the return of an adventurer, the first African western, Serge-Henri Moati wanted to make a film about film. The cowboys are turning black traces and proves at the same time the reality and fiction, film and life, sometimes extremely close, especially when it comes to the Wild West ..