Jean Degrave

An unemployed investor creates a fictious business partner to attempt to improve business. Eventually, his creation gets out of control as his business becomes successful and his wife announces that she is in love with the partner and his son wishes the partner was his father -- although no one has ever seen him. To regain control, the man decides to "kill" his imaginary partner and is arrested for the murder.

A man in financial trouble is thinking of killing his wife to get back the money he has placed in her name.

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

Gerard Casanova is the man all the rich and beautiful women call when they want their sexual urges satisfied.

Catherine Hubscher, laundress, saves the life of an Austrian nobleman with the complicity of her fiancé, Sergeant Lefebvre, the day when royalty collapses. And then the years pass ... Become Marshal of the Empire and Duke of Danzig, ex Sergeant Lefebvre always has for wife Catherine, the ex laundress; and this, in spite of the efforts made by the Emperor Napoleon to have him divorced, the Emperor blamed him strongly for the lack of distinction of Catherine. Faced with the Marshal's refusal, Catherine was summoned to the Emperor's house and the dialogue between them lacked heat to say the least, until the former lieutenant Bonaparte recognized in Maréchale Lefebvre, Catherine the laundress, who once , gave him credit for his laundering debts.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Paris 1960. DeGaulle determines to end a bitter war in Algeria by granting its independence. Millions oppose him, including a group of DeGaulle's disenchanted Arm Officers. In a desperate attempt to save the colony for France, they plan a daring jailbreak of their imprisoned leader. A network of snitches inform a tenacious detective leading to an explosive three-way cat-and-mouse game among the rebels, the Gaullist politicos and the police.

An Italian prison official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released - but then kidnaps him himself, in order to ensure that the man's colleagues don't kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.