Haley Louise Jones

In the summer of 2018, novelist Tanja Arnheim and web designer Jerome Daimler have a seemingly ideal long-distance relationship in the heat of Berlin, the idyll of an inherited bungalow in the Hessian Main Valley and many train journeys in between. But the carefully cultivated balance of trust and detachment between the two hyper-reflective millennials is shaken when Tanja realizes on the night of her thirtieth birthday that the relationship could become existential.

In the near future, the “method” controls the health and freedom of society. The life of neuroscientist Mia Holl, who is loyal to the system, changes abruptly when her brother Moritz Holl is wrongly accused of murder and imprisoned. In the fight for truth and justice, Mia begins to question the system and becomes the hunted herself.

In the center of Hamburg, the discovery of an unexploded bomb from the Second World War not only leads to a far-reaching evacuation, but also to an interpersonal state of emergency.

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

A man sees the dark side of the time-manipulating biotech company he works for when a crushing debt forces his wife to give up 40 years of her own life.

Casual single man with daughter meets smart single parent with son - sounds like a good start! Unfortunately, the omens are anything but favorable: neither of them feels like getting to know each other today of all days. The perfectionist chef is under pressure because she wants to serve up the best spaghetti bolognese of her life at a test cooking session for her dream job that evening. Philipp has to prove himself in a difficult group at his new job as a tourist guide. An aerial bomb that paralyzes Cologne's city centre means extra stress to the power of three for the two of them! The single parents spontaneously join forces: She looks after her seven-year-old son Fritz and his daughter Miriam, who is the same age, in the morning, while he takes care of the children in the afternoon.

After oversleeping yet again, Alfons manages to catch the bus to his class trip to the Baltic Sea at the last minute. In his luggage: lots of adventure, funny pranks and - wait a minute - his mother's clothes?

No plot available for this movie.