Hiroshi Yamamoto

In 2020, the world is forced into lockdown by the COVID pandemic. As remote work is popularized in order to keep the infection rate under control, a young man employed by a company in Tokyo moves to a country town on the Sanriku Coast in Miyagi Prefecture, where he could enjoy fishing, in search of a new lifestyle. But gradually, we found that there were problems such as "empty houses" in the local area.

It’s easy to promise ‘for better or worse’ in a wedding vow, but how many marriages can truly weather every storm? Sachi decides to study for the bar exam with her boyfriend Tamotsu as an act of solidarity. However, Sachi ends up becoming a lawyer, while Tamotsu, who fails the exam repeatedly, is relegated to stay-at-home dad.

Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?

In the heart of Osaka's old neighborhoods lies a run-down apartment building known as "Copo." Its thin walls and lack of privacy are home to a group of residents, each struggling with their own pasts and uncertainties. Yuri, a part-time worker, has fled her family, while her neighbors—an aloof man who lives off women, a shy laborer with clumsy affections, and an older resident running a mysterious business—navigate their complex lives. The discovery of a fellow tenant’s death forces them all to confront their personal dilemmas and the fragile nature of life in the "Copo."

A lonely researcher doubting his own existence builds an android which looks exactly like himself.

No plot available for this movie.

Ten years have passed since the disaster. The men are back. The new enemy they face is the new coronavirus. What comes before the four men, who have never met anyone new...

After Kaji, a mutual friend and actor, passed away, the director Kinoshita (Hiroshi Yamamoto), the scriptwriter Tsuboi (Keishi Nagatsuka), and the actor Funaki (Takeshi Yamamoto) leave Tokyo to visit Kaji’s hometown. After attending the wake, the three go bar-hopping at an izakaya (tavern) and hostess bar in a town they’ve never been to, but they cannot find a way to cope with Kaji’s death. The next day, they go to Kaji’s parents’ house and receive, from his younger sister, Junko, a fan letter addressed to him. The letter is from a young Korean girl, and apparently, Kaji read it many times over before he passed away. The news of the death of Kaji, who was not a famous actor even in Japan, had no way of reaching a fan in Korea. The three are left at a loss as to how to tell her the news.

Ai has had a crush forever on her classmate Tatoe. When she finds out that Tatoe is in a secret relationship with another girl, she sets out to sabotage their plans for the future.

Based on the legenday cult Japanese comic “Stop The Bitch Campaign” by Hideo Yamamoto (“Ichi the Killer”) and Tetsuya Koshiba (“Remote”), a fierce battle between the beautiful high-school girls and the middle-aged man erupts once again.