
Saskia Reeves (born 16 August 1961) is a British actress perhaps best known for her roles in the films Close My Eyes (1991) and I.D. (1995), and the 2000 miniseries Frank Herbert's Dune. Born and brought up in London to a Dutch mother and English father, Reeves studied at London's Guildhall School of Music and Drama and has since worked with directors such as Mike Leigh, Stephen Poliakoff, Michae...
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Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.

The film by Ed Atkins and Steven Zultanski combines a performative reading of Philip Atkins’ (Ed’s father) diary, written during the six months leading up to his death, with the reenactment of The Ambulance Game, a role-playing game played by Atkins and his daughter. Originally private, both the diary and the game are now performed publicly, with the camera alternating between the performers and the audience, emphasising voyeurism and shared intimacy. Exhibited at Tate Britain alongside Atkins’ writings, paintings, embroideries, video works, and drawings, Nurses come and go, but none for me (2025) marks both Hartwig Art Foundation’s first commission of a work by Ed Atkins and the artist's debut feature-length film.

Alma and Alex, two adolescent sisters, are survivors of a catastrophic event. They live deep in the woods with their Mother, a strict, over-protective woman who has sheltered them from ominous presences, the Shadows, which live in the daylight and infest the world beyond the river, a border for Alma and Alex. When they follow Mother, out for hunting, Alma and Alex start a series of events which will make them discover the truth about the Shadows and their own reality.

The true story of the rise and fall of Creation Records and its infamous founder Alan McGee; the man responsible for supplying the “Brit Pop” soundtrack to the ‘90s, a decade of cultural renaissance known as Cool Britannia. From humble beginnings to Downing Street soirées, from dodging bailiffs to releasing multi-platinum albums, Creation had it all. Breakdowns, bankruptcy, fights and friendships… and not forgetting the music. Featuring some of the greatest records you have ever heard, we follow Alan through a drug-fuelled haze of music and mayhem, as his rock’n’roll dream brings the world Oasis, Primal Scream, and other generation-defining bands.

A true pioneer in audio exploration and psycho-acoustics, Delia Derbyshire conceived one of the most familiar compositions in science fiction, the Doctor Who theme, while working in a BBC basement. Her soundscapes felt like they connected to another realm. Kicking off with the discovery of 267 tapes in an attic, along with a treasure trove of journals hidden in her childhood bedroom, this film tunes in to Derbyshire’s frequency; that of a life-long non-conformist, whose peals of laughter in an archive interview tickle with delight and eccentricity. Featuring a rich archive, interviews, fictional embodiment and Cosey Fanni Tutti’s psycho-sonic channelling, director Caroline Catz traces acoustic pathways on her archeological dig into Derbyshire’s resonant life.

Simon Russell Beale plays William Shakespeare’s Richard II, broadcast live from the stage of the Almeida Theatre in London to cinemas.

A successful writer of children's books, Stephen Lewis is confronted with the unthinkable—he loses his only child, four-year-old Kate, in a supermarket. In one horrifying moment that replays itself over the years that follow, Stephen realises his daughter is gone. Kate's absence sets Stephen and his wife on diverging paths as both struggle with an all-consuming grief.

King Lear has three daughters, but no sons. Boldly he makes a decision to divide his kingdom among his children, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid and Lear finds himself adrift, wandering homeless and destitute. As he comes to realize the false values by which he has lived, he finally encounters his own humanity.

The Belgian PM is abducted and he finds his wife and children taken hostage. If he wants to see them again – alive – he has to kill the person he is meeting later that day. And that person is no less than... the president of the United States.

A young Oxford academic and his attorney girlfriend holiday in Morocco. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain's intelligence establishment, to Paris and the Alps.
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