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It's the early 20s, just after World War I. In Sweden, restrictions on alcohol are harder than most people like and so, smuggling is abundant. In this particular little town, smuggling is ruled by one man, who is the king of smugglers. The smugglers who work for him don't get to keep much of the profit themselves, but if they don't work for him, they get in trouble, which his henchmen make sure. However, Albert Jansson arrives in town and starts taking up the competition with the smuggler king. Meanwhile, the police, together the customs office, try to catch the smugglers.

Where is the line drawn between the freedom of the press and its financial dependence on owners and advertisers?

The middle aged widowed Victoria has had to quit job due to work injuries. Helping people is her new goal in life. One days she meets young Carl, suffering from a difficult past, giving her an unforgettable experience.

Norwegian: The late 19th century Christiania (Oslo) could offer a rich variety of entertainment. There were several variety theatres and brothels, and poor women could earn money based on their looks. The beautiful variety actress Lucie (Inger Lise Rypdal) has met a lawyer by the name Gerner (Gösta Ekman), a refined gentleman. Flowers and encounters outside the theatre develops into an erotic relationship. Lucie knows how to play on Gerner's jealousy and masculine pride, and finally she reaches her goal: becoming Mrs Gerner. For Lucie this means climbing the social ladder, but she'll soon notice the problems. Living in the upperclass society keeps reminding her of her poor background and her lack of etiquette. All this affects Gerner in a negative way, who is plagued by jealousy regarding people from Lucie's past. The relationship between the married couple keeps getting worse.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.

Albert and Herbert Hansen love each other, in the way that fathers and sons usually do. They argue and bicker, but they don't take it too seriously. If it weren't for one particular thing, they could have continued indefinitely as companions and friends. But in the distance, wedding bells are ringing.

Drama by Henrik Ibsen (1882). Edited and instructed by Per Bronken. The action is set in a coastal town in southern Norway which is known for its healthy bathing establishment.

Erotic entanglements at a summer boarding house. Three young men are all infatuated with the girl Klara, but then another girl, Jenny, shows up.

Norwegian propaganda film and cult drama about Eva (16) and Arne (17), both from well established homes, attend a class where a professor says that cannabis is safer than alcohol. Together with some friends they decide to try the drug. The start of a drug hell for all involved. The film was poorly received by the critics, but it nonetheless became one of the highest-grossing theater films in Norway in 1969.

In Norway in the 1600s, An-Magritt is born as the result of a rape.
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