Brenda Chan Kwai-Fan

Summer in Cheung Chau is a hidden wonderland. Three local Cheung Chau kids and a dog break into homes of islanders who are on vacation, and of the emigrants who left for good. Marked with whimsical adventures, their journey imparts unexpected lessons about the secrets of the adult world. As the end of summer approaches, the trio is destined to part at the cruel crossroads of youth.

A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.

Amid changing times, as friends and relatives are leaving the city one after the other, our once familiar neighbourhood is becoming foreign. Yeung Por Por has her luggage packed for the one-way flight out of the city with her son. During her final hours in Hong Kong, she goes to the Wan Chai seaside and is shocked to find a barricaded construction site. Following Rhea, her domestic helper to the latter’s Filipino community, Yeung Por Por realises what it means to be uprooted from one’s homeland. Subtly and wistfully, the film relates the difficulties and dilemmas of migration, closing with ‘You Said We’d Be Back’ by the folk-rock duo My Little Airport.

Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.

A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.

A independent Hong Kong film about gender issue.

A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.

Two high school students from very different backgrounds participate in a musical with mentally disabled children, which eventually leads to the realisation of their dreams and aspirations.

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

Wai and Na have always been the good Christian couples in others' eyes and they are finally getting married soon. However, an unplanned pregnancy drags the two Christians into the dilemma of human nature... Years after tying the knot, Na is pregnant again and this time they have another difficult decision to make. Two lives, two decisions, all depended on whether they were more afraid of god, or of human.