Radoslav Brzobohatý

On the eve of Christmas, successful expatriate Karel returns to his quiet mountain village, and suddenly every marriageable girl in town vies for his hand, even storming his cottage. Determined to avoid marriage and instead sell the family farm and leave with his younger brother, he sets his would-be brides impossible tasks, and the very first challenge whittles the contenders down to just one: his stepsister Květa.

A bitter-sweet comedy about two people who wish to live life to the full despite their age. Ota is a retired high-school teacher and at this point in life has various foibles that complicate life for his son and daughter-in-law. Moreover, he has a complicated and risky eye operation ahead. That is why Ota decides that this is the time to look up Jana, the retired actress who had influenced the course of his life many years ago. However, his reunion with Jana - who lives in a retirement home - works out differently to his expectations. Although disappointed at first, it is actually this zestful lady who sets Ota in the right direction again. Thanks to Jana, Ota finds the courage to set out on an exciting road-movie trip of the kind he would never have had the courage for in his youth. Their meeting and the excursion, full of unexpected turns and new impressions, give their lives a new dimension.

The second part begins shortly after the death of Michal Dostál, the biggest bastard of them all. Michal's father and grandfather are convinced that teacher Majer was behind the murders of all three students and was avenging his sister's death. They begin to psychologically torment Majer and search for evidence. The new police investigator Karas, who takes over the case from the deceased police investigator Paleček, is also looking for evidence. Karas immediately suspects something is amiss in the deaths of the "bastards" and also begins to focus on Majer, who is now the school principal.

Historic adventurism movie inspirited by legend about mystery monk, alchemist and healer who made the flying machine according to lost book wrote by Leodardo DaVinci in 18th century.

Private psychologist Jakub tries to help others, but he has his own problems. Then he gets to take care of his old father which starts a lot of funny situations due to fathers starting dementia. Then this new medication appears...

Resolution 819: Adopted by the Security Council at its 3199th meeting on April 16th, 1993. Resolution 819 tells the compelling story of a young investigator sent to Bosnia in 1995 to investigate the disappearance of 8,000 men in Srebrenica and eventually bring the perpetrators of the massacre to justice at the International Criminal Court. Benoît Magimel stars as Jacques Calvez, a man of integrity who refuses to let politicians, mobsters or bureaucrats stand in his way. He receives valuable help in his quest from Lherbier (Hippolyte Girardot), a French secret service agent, and above all from beautiful forensic anthropologist Clara Gorska (Karolina Gruszka)

Twenty-five years after their youthful ski-camp friendships, a tight-knit group of former classmates reunites at the same mountain lodge to see if a long-held platonic crush can finally turn real, and to reckon with all they never said or did.

A little boy, named Prdelka, traveled with his father from Prague to the country during the Second World War. There, the boy became friends with a local fisherman and learned to catch the golden eels. Eventually, his father and mother were arrested by the Nazis and the boy stayed with the fisherman.

No plot available for this movie.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?