Gabriela Míčová

A small town somewhere in the north. The body of a brutally murdered young girl, Anna, is found by the river. The investigation is taken up by the determined criminalist Laura Linhartová (Kristýna Ryška), and her old colleague Adam Beneš (Kryštof Hádek) is assigned to her. The main suspect is a recently convicted perpetrator who is responsible for a similar murder. Just when it seems that the search for Anna's murderer is over, new evidence appears that brings the whole case back to the beginning. The criminalists thus embark on a complicated investigation full of unexpected twists and turns. The circle of suspects in the small town expands dramatically. The tension between Laura and Adam rises, not to mention their different characters and shared past. And the question still hangs in the air: Who killed Anna Pittnerová?

Two neighboring clans and two different approaches to life. What happens when the strained relationship of two domineering fathers interferes with the love of their own children?

Three friends from a small town - František, a doctor; Oskar, the director of the local museum; and Robert, a physical education teacher - are faced with an unexpected task. They have only fourteen days to save their children's traditional summer camp, which was unexpectedly destroyed by a storm. Their last hope is a meadow below Tramberk Castle. However, the castle's caretaker is the eccentric Evžen, who is happiest when no tourists come to the castle. But when Kudláková from the Heritage Preservation Department puts pressure on Evžen, saying that if he doesn't reach three thousand visitors in two weeks, she will hold a competition for a new caretaker, Evžen agrees to František's proposal and allows the camp to take place. However, on the condition that they help him with the visitor numbers... The situation is further complicated by František's animosity towards the new teacher Lenka.

T. Dianiška's documentary fiction from behind the scenes of the assassination of R. Heydrich, in which the real story is intertwined with comic exaggeration, pop culture references, and harsh humor. 294 Brave Men was written by Tomáš Dianiška for the Divadlo po Palmovkou theater, where he also staged it with the local ensemble. As the title of the play suggests, the protagonists of Operation Anthropoid are not the main heroes in this case. 294 Brave Men refers to the people from the domestic resistance who paid with their lives for helping the paratroopers and whose names are now borne by streets in Libeň and the surrounding Prague districts. T. Dianiška treats historical facts with respect, but at the same time quite freely, and he depicts the background of "the greatest heroic deed in our history" with the help of humor, often very dark humor.

When the son of Ukrainian immigrant Irina is attacked, the whole city stands up in solidarity with her family and condemns their Roma neighbors, who allegedly committed the crime. But soon another truth starts to emerge.

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, are searching for the murderer of Daniela Jásková, an emancipated young woman who excelled at her job and also excelled at changing lovers. When she is found strangled in her apartment, Vašátko's team begins an investigation. They also focus on the victim's sister, Alena Kášová, who did not like Daniela very much and resented her ability to win over every man. Suspicion also falls on Alena's ex-husband, the sculptor Káš, whom Horác has known since his studies at the academy.

No plot available for this movie.

In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.

A story about what ordinary internet browsing can do for kids. And parents change their lives.