Jaroslav Tomsa

Prague, Czechoslovakia, during the inter-war period. Jan Dítě, a young and clever waiter who wants to become a millionaire, comes to the conclusion that to achieve his ambitious goal he must be diligent, listen and observe as much as he can, be always discreet and use what he learns to his own advantage; but the turbulent tides of history will continually stand in his way.

A comedy from the hotel where it all began and ended.

Major Maisner, head of Interpol for Central Europe and neighboring Asian countries, is fulfilling his mission in Bangkok, Thailand. When he returns from his mission, he has no idea that his doppelganger, sent here by the Thai mafia, is acting on his behalf in the Czech Republic.

A dramatic action film about stuntmen who perform the most dangerous stunts in the film world. One day, however, one of them is struck by a family tragedy in which his son dies. The man cannot overcome this tragedy and ends up in a psychiatric ward. Will he be able to return with the help of his friends?

A young promising Olympian, Robert, shoots two police officers in a fit of rage. Lieutenant Morton sets out on his trail with a single goal in mind: to catch the killer.

A German Platoon is explored through the brutal fighting of the Battle of Stalingrad. After half of their number is wiped out and they're placed under the command of a sadistic captain, the platoon lieutenant leads his men to desert. The platoon members attempt escape from the city, now surrounded by the Soviet Army.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

The main characters left their original professions of waiter and taxi driver and rented a thriving disco Brooklyn. However, their peaceful life is disrupted by the con man Kadlec, who has not forgotten that it was they who put him behind bars two years ago. All this time, all he's been thinking about is revenge. The formerly petty crook, with the help of his accomplices, his son-in-law Buresh and fellow prisoner "The Engineer", joins the drug trade and begins his revenge. Michal is arrested for the rape of a girl he has never seen in his life, and it doesn't take much for Tomas to figure out that Kadlec is behind it all. What Tomas also doesn't realise for a long time is that the sympathetic Ivana, who has joined their business and with whom he has fallen in love, also works as a luxury prostitute and was put into the business by Kadlec.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

In May 1945, a broken violinist lies drunk by a creek, haunted by memories of his life before and during WWII. Once the celebrated first violin in spa orchestras, he married Jewish nurse Róza and dreamed of fatherhood, only to face brutal anti-Jewish persecution. Relegated to second violin, he spirals into alcoholism and betrayal, while Róza and their daughter are deported. Cast out by colleagues and lovers, he descends into madness, murdering a vagrant with his violin case. In a final psychotic haze, he tends a roadside Christ statue before collapsing, his shattered life a testament to love, loss, and atrocity.