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A young woman is haunted by the mystery of her childhood tragedy and a man who wants to avenge her resentment.

A melodramatic suffer-fest that would give Lars von Trier pause. On a quest to find her biological father, teenager Yeni is sidetracked when she's raped by her stepfather and ends up in a nuthouse. After she's released, her prostitute sister takes her to work at a brothel. There, she becomes second wife to an old, miserable man until her stepfather returns and tries to lay claim on her. After unsuccessfully trying to strangle Yeni to death, he and Yeni's mother get in a fight and end up stabbing each other to death. Once Yeni finds out she's pregnant, she's then rejected by her miserly husband, who denies the child is his.

Structured as a film within a film, Rhoma Irama and his girlfriend, Aida, are hired to make a film by Leo and his right hand, Richard. While Rhoma has several shows in the same city, Leo pursues his criminal activities. For him, moviemaking is a camoulflage for his crimes. Richard, who is still in love with Aida, tries to separate Rhoma from the girl. While filming a scene, Rhoma is stabbed for real. While Rhoma is in hospital, Imron, a Rhoma impersonator is introduced. Then a scenario is written for Richard to get Aida. Later, Rhoma impersonates Imron and pulls Imron’s girlfriend Nina out from prostitution. Finally, Rhoma is able to solve the whole drama and Aida is back in his arms. Rhoma’s songs, which are his trademark and selling point, continue to be used.

After her father Suhada is imprisoned for a killing in self-defence, Sari and her mother drift into prostitution. When Suhada is out of prison and sees the sad lives of his wife and daughter, he is infuriated. He stabs Deny, the young man who is attracted to Sari, so that lands him again with the police. Deny’s father is against his son having a relationship with Sari. But Deny is the first one who slept with Sari so they continue their relationship for the sake of love.

Ki Ageng Mangir Wanabaya (Teddy Purba), the grandson of the Brawijaya King family, tries to restore the glory of Majapahit using the magical power of the Baru Klinting heirloom spear.

About seven womans for secret mission.

A continuation of the Jaka Sembung series. The event takes place in the Gegesik village near Cirebon, in 1827. The village head, Subah, faces two enemies - the Dutch and Ki Dungu. The Dutch use Ki Dungu to destroy the village, as he has an old grudge against the people plus he possesses the powerful skill of Bergola Ijo. But Ningsih, the wife of Fajar, both of whom are Subah's children and disciple respectively, face Ki Dungu with their own martial arts.

Some rich gangster creep rapes a gal. He's imbued with black magic powers by some other guy. Stuff happens leading up to the greatest endgame of all time.

Police Lieutenant Iskandar (Kelly Kalyubi) joins a doctor’s mission to a village but he's really there to investigate the mysterious deaths of several men who were found with snake bites on their necks. The early victims were all men who'd recently had sex with the village "black widow" Wulan (Giselawaty), but then people not even associated with her start turning up dead.
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