Mecha Ortiz

A remake of the 1943 film of the same name.

A compilation of the origins of Argentine cinema up to the 1960s.

Audrey investigates a murder that occured 23 years ago in a dark mansion. She searches for the dead body, the killer, and the truth.

Mara Ordaz, a former film star who lives in an isolated mansion with her husband, her doctor and her money manager, decides to sell the house and return to Buenos Aires; but the three men do not agree with her decision.

Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.

The life and the lovers of a few young women in a provincial town.

The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.

Two twin sisters have completely different ways of loving: to one love is profound, to the other is carnal.

Five women whose lives revolve around an absent man constantly battle each other in their decaying old mansion. The first Argentinian sound film directed by a woman.

To prevent a politician from winning, a journalist blackmails his wife with old love letters from his former lover. She feels cornered because her family's honor is at stake. The film includes excerpts from "Sappho, Story of a Passion" (1943), a film by Carlos Hugo Christensen.