Gerhard Fehn

A traffic light stops on red. More and more people gather in front of it and wait. As no one wants to take the first step, those waiting are forced to join forces.

There is no one-size-fits-all recipe for the right way to die. Cancer-stricken pensioner Hermann is having a hard time dealing with the inevitable: He doesn't want to wait for death and instead wants to give it a helping hand - but discreetly.

The accident during an air show in Ramstein in the summer of 1988 is one of the greatest tragedies in German post-war history. Against the backdrop of the momentous collision of two aerobatic planes on "Open Day" at the American air base, this film tells the story of four families in fictionalized form - they are visitors to the air show who lost their loved ones in the horrific inferno, and an emergency doctor who cannot forget the sight of the dead and injured. They all suffer from post-traumatic stress syndrome. Years after the disaster, they finally have the opportunity to share their experiences and come to terms with the trauma in a specially founded aftercare group. Meanwhile, a duo of investigators commissioned by the German Federal Ministry investigates the background to the air accident and uncovers massive failures in safety precautions and rescue measures. Beyond political responsibility on both the German and American sides, both come up against a wall of silence.

Journalist Sophie Bergmann is working on a legacy study on the effects of Hartz IV on society. She is increasingly reluctant to report on the symptoms of the labor market reform in isolation from its causes. At an EU conference in Brussels, she witnesses the German finance minister being put under pressure by a stranger. When she accidentally sees the same man getting into the car of the editor-in-chief of her newspaper, Sophie is irritated. With the help of Matti, the IT specialist from the editorial office, she begins to investigate.

17-year-old Paul likes strange things: stealth trails and abandoned buildings, whispered conversations and left-behind bags. Besides that, he seems to be a young man without qualities. His mysterious nature catches the eyes of his classmate Dala and his art-loving teacher Mr. Bulwer, both seemingly driven by hidden desires. Then a boy’s dead body is discovered in the forest...

Luca, a young aspiring model, tries to elevate his modeling career, by meeting up with the once-very-famous-photographer Jerry, that he has met online. Jerry will introduce him to a glamorous new world Luca could only dream of. but at what cost? Sternchen examines the abusive side of the fashion industry, and how mentorship gets confused with sexual and personal domination.

Germany, 1971: Erika (Anna Schudt) is actually completely overwhelmed by her work in the butchery of husband Kurt (Christian Erdmann), the education of three common children and additional obligations, which brings the village life, as her doctor also revealed that she is pregnant again. Another baby is the last thing she needs now, and so she decides to drive to her sister Charlotte (Alwara Höfels) to Cologne and let the baby abortively secretly abort. Since there are complications during the surgery and Erika can only be rescued, but her husband still learns from the matter. It comes to a huge dispute, in which another topic is the future of daughter Ulrike (Lene Oderich). Without further ado Erika then packs her things and moves with her children to Charlotte. But at a time when legislation inevitably makes her dependent on her husband, she is denied a self-determined new beginning. Erika decides to do something to change that ..

When an unsuspecting student inserts a blood drenched alientampon and mutates into a murdering monster, a group of students unite their forces in order to confront her with weapons and courage.

A Black Forest timber industrialist has to assert herself against male supremacy and economic difficulties in the first half of the 20th century.

No plot available for this movie.