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Sashichi is a dapper and handsome man. He is called a doll Sashichi because he is "a nice man like a doll." On top of that, he is a considerable young boss. This is a story in that Kanda solves the murder spree in Edo where a famous boss of Otamaga pond, Sashichi lives in.

Yoko Takahashi's directorial debut.

Based on an autobiographical novel by Toshiko Takagi, set close to the end of World War II

Based on the original mystery novel by Seicho Matsumoto. Novelist Ryuji Sugimoto is publishing his serial in a local newspaper when a woman from Tokyo subscribes, saying she’s interested in his work—only to abruptly cancel weeks later. Suspicious, he realizes her true interest may not be the fiction at all, but a real double suicide reported in the same paper.

The final part of the trilogy. It is about a younger brother, Suekichi. He learned well the lessons that life taught his older brothers. Therefore, he does not think to study, but strives for material well-being alone. To make a career, he ruthlessly pushes his colleagues with his elbows. For him, the high ideals of trade union activists Jiro and Saburo are an example of old-fashioned thinking, naive behavior.

The 14th and final "Crazy" feature. The Crazy Cats reunited (minus Ishibashi, who had by then retired from the team) for one last feature, Jun Ichikawa's odd Memories of You (Kaisha mono-gatari, 1988) released by Shochiku. Most of the cast of Crazy lrresponsibles at Shimizu Harbor (1966) return in this sequel.

Yumi Ishikawa (Mari Atsumi) is nineteen and a popular geisha. Orphaned when a child, Yumi she was raised by Shizuko, the madame of a geisha house. Yumi is impulsive, out-going. And although she cannot claim to be good at Japanese dancing or playing musical instruments so necessary to a geisha, she is a whizz at go-go and will dance the hula at parties. But before becoming a full-fledged geisha, Yumi must go through the ceremony of the "mizuage", when a budding geisha surrenders her virginity to an experienced man who makes her a woman. Takida, a rich money-lender, is chosen for Yumi's mizuage but she offers herself first to Keiichi (Ryo Tamura), who she really loves although she knows that his world and hers are too far apart for a successful marriage.

The second film tells about the life of matured brothers and sister Sato. Taro became a foreman. He saves every yen to fulfill his dream of building his own house with stone gates. Jiro continues to work in the transportation office, he dreams of getting married. Saburo faces a moral problem: in order to get a good position, he must answer the questions of the entrance test differently than his conscience tells him. At the exam, Saburo does not hide his views on life and is deprived of the promised position. Orie and Suekiti believe that he did wrong and betrayed his older brothers. But the anxiety in the Sato family is not limited to these events. Orie was being asked to marry a handsome, well-established young man, but she suddenly announced her decision to marry Tozaka, who was suffering from radiation sickness. Sato's peaceful home is falling apart...

Reiji and Takashi, although they are brothers, differ from each other like fire and water - Reiji is an empath, and Takashi will use anybody, to get as far up the social ladder as possible. Soon, Takashi dumps his girlfriend Mie to marry the daughter of a certain businessman. Disgusted with this fact, Reiji starts helping the girl. He's even more indignant when he discovers that Mie is terminally ill. From now on, he does everything to make Mie's last days as good as possible, and repay the family, which humiliated woman so much.

A story of rivalry between two gambling clans.
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