Hôryû Nakamura

Sakurano plays a girl named Kimika who wakes up chained up in a dark boiler room, unsure of how she got there. She’s soon approached by a strange large man wearing a mask and using a creepy voice changer. The girl is the daughter of Daisuke (Kenji Ezure), the shrewd president of a general contracting company. Daisuke was too occupied with an ongoing sexual fling with his secretary (Asami) to notice that his daughter was missing at first, and his relationship with her was already strained due to a certain incident in the past, but when he receives a threatening phone call he eventually recognizes the gravity of the situation. Eventually, Kimika begins to calm down as her fear slowly turns into a perverse attraction to this strange person holding her captive. What is the kidnapper’s motive? And what is his true form? In the basement of a certain building, insanity merges with obscenity as the plot unfolds.

No plot available for this movie.

Pink film directed by Akira Fukuhara.

Honda, the president of a real estate company, shows Kyoko an apartment. The two begin a strange life together. A man who can only get aroused by peeping due to scars from his past. A woman who is bound by her past and gets turned on by being peeped at. What lies at the end of this twisted love that combines loneliness and solitude?

The films plot hinges on a bizarre love triangle involving a loser ventriloquist, his assistant & a blind woman - Hikari is blindly (literally) in love with Daisuke, a failing ventriloquist yet when she finally musters up enough courage to meet him face to face and present him with some flowers backstage she mistakes his assistant for him. For some reason Daisuke and his assistant decide to follow through with the mistaken identity farce which leads to some amusing complications, particularly in the bedroom.

A daughter living far away is worried about her father, Naruse, who is an elderly projectionist at a movie theater, so she sends a housekeeper. The housekeeper bears a vague resemblance to the father's wife, who died young. Not only does she resembles her, but she also knows things that only a married couple can know. Who is she really?

A young widow, Noriko, lives with her senile father-in-law, Shukichi, on a farm. He believes his favorite cow, long gone, is still alive. Noriko pretends to be the cow and lets him milk her – a satisfying arrangement for them both.

Director Daisuke Goto, the master of the cinematic Pink Eiga, is back with this retelling of the classic film noir, The Postman Always Rings Twice. A married woman, tasked with running her handicapped husband’s failing printing business, meets a drifter and they fall in love. Soon a plan to murder the husband is put into motion and the forces of fate begin to show their hand. Featuring bravura filmmaking, fantastic performances and steamy sex, the Mourning Wife is a worthy follow up for any fan of Daisuke Goto’s masterpiece A Lonely Cow Weeps at Dawn.

A young detective is assigned to stake out the apartment of an elderly woman. He sets up his video camera and monitor in an empty room opposite hers-and watches.

Sho Aikawa plays a police detective whose dark personal history makes it impossible for him to stay within the limits of the legal system. But he is not just a detective; he is also a husband who has to explain to his wife how he got blood on his sleeve. And the criminals he pursues turn out to be as imperfect and oddly human as he is-and just as determined to protect their own families.