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Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.

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A portrayal of three cancer patients' struggle to hold on to life and their friendship.

Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.

Deniz goes to his hometown for his aunt Feraye's funeral. Nigar first offers her condolences to Deniz, then hands him her card and invites him to her home to discuss an important matter. Nigar wants to buy the land that Deniz inherited from his aunt, which includes a vineyard, a workshop, and olive groves. She makes a good offer. While Deniz is packing up her aunt's belongings at her aunt's house, she finds her aunt Feraye's diary.

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Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."

Tulay, a restless woman whose marriage is slowly disintegrating sets out to come to terms with various traumas while continually being watched by Halit, a resident in her apartment complex.
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