Mary Beth Hughes

A groupie, an escort, and a strip club dancer get thrown into danger by the illegal activities of the men they love.

Jack Romanti runs a theater company that offers sexual therapy as well as a break in the movie business to insecure and inexperienced young new talents. This boils down to them being pimped out to sponsors but they all benefit from it.

THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.

An airliner flying nonstop at night from Miami to New York fails to check in, then disappears from radar. We see how its disappearance affects people on the ground.

An outlaw saved by a Mexican girl hunts the holdup partner who shot him in the back.

The boys buy a uranium mine out west, but when they get there they find that it's pretty much worthless. However, the local badmen are distrustful of these new strangers, and when they mistakenly get the impression that the mine is loaded with uranium, they hatch a scheme to get rid of the boys and take over the mine.

A teacher writing a book about gambling meets a hotel/casino owner threatened by a gangster.

Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.

An ex-Marine, on the lam from a murder charge, hitches a ride with a glamour-magazine photographer, who is travelling cross-country with her principal model. Tensions rise when the women realize the man with them may be a killer.

A journalist's wife insists on adopting an abandoned child.