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In the 1980s, a single mother who fled communist Czechoslovakia has to return to her homeland in order to pay an old debt. The risky trip is upset by unexpected events that bring secrets into the open.

A single long-range shot shatters the quiet of a country morning, leaving a beloved doctor dead on the steps of his family home. In the aftermath, a grieving widow and her withdrawn son cling desperately to the safety of routine. Meanwhile, a weary detective – mid-divorce and living out of a suitcase – is called to investigate, joined by a young colleague still reeling from a recent trauma.

No plot available for this movie.

No plot available for this movie.

Helvi's world is turned upside down when she discovers the existence of a technically advanced Elfkin gang that, in stark contrast to Elfie’s own clan, is second to none when it comes to fun and thrill-seeking. Can Helvi’s friendship with Bo, the youngest gang member, reconcile the two Elfkin clans after more than 250 years?

Christmas – usually not the favourite holiday of the atheist Wanda, a surgeon and feminist mother of teenage Nina. And most certainly not in times of a pandemic.

The long-lost bon vivant Mike Bittini learns that his brother has fallen into a coma. He returns to his family, sneaks in like a hawk in the chicken coop and mixes things up properly. The uncle comes to help, brings chaos and finds love.

Karl meets Nini at a Berlin train station: it is love at first sight. But the few hours they spend together before she travels back to Vienna end in a mishap in which Karl loses her phone number. He decides to move to the Austrian capital to find his dream woman again.

Policewoman Tilda is in the dark, and her only connection to the outside world is her cell phone. She contacts her stepson, gravedigger Max Broll, and tells him that she has been buried in a box. According to Tilda, the perpetrator is Leopold Wagner, the "child maker," whom she put behind bars years ago. However, since Wagner is still in prison, this can't be true.

The novel “Fitness” by anarchic poet Stefanie Sargnagel is to be made into a film. The only condition on the part of film funding: Sargnagel should play herself. Surfacing alongside the author are numerous actors from the Viennese cultural landscape in cameo appearances to satirically dissect the Austrian culture industry and its mechanisms.
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