Dario Fo

“A future historian, if he or she is honest, will feel a legitimate need to place the decade 1968 to 1978 alongside the great events that changed the world, such as the French and Russian Revolutions”. This was the guiding idea to which we entrusted, with considerable emotion, our personal memory and the archive footage that we took and collected during those years and which represent the physical body of the battles fought and victories gained everywhere during those ten years. Their value, in a country like Italy which has lost its memory, is a rare witness to the power of human dignity in a constant struggle for its redemption.

The docufilm tells the story of Paolo Villaggio's genius through the most iconic Italian character, accountant Ugo Fantozzi. The work was featured in the Classics section of the 74th Venice International Film Festival.

For the first time together, Dario Fo and Paola Cortellesi take the spectator through a journey in the life of Maria Callas in the last play written by Fo and the late Franca Rame.

The documentary starts from the sanctification of Pope Giovanni XXIII and Pope Giovanni Paolo II and tells the scenes on the figures of the two saints and popes of Pope Francesco I, with a stock image of three Popes enriched with new images of Pope Francesco I at the time of his election before it is presented to the whole world. A journey through exclusive places and partly unpublished Vatican.

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No plot available for this movie.

A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.

ZERO: An Investigation into 9/11 has one central thesis: that the official version of the events surrounding the attacks on 9/11 cannot be true. This feature documentary explores the latest scientific evidence and reveals dramatic new witness testimony, which directly conflicts with the U.S. government's account.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.

No plot available for this movie.