Hilda Sour

With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.

No plot available for this movie.

Two shoeshine girls and a newspaper vendor survive in the Mapocho neighborhood of Santiago. While looking for better luck, Maruja becomes involved with a businessman who helps her become a famous singer. Meanwhile, the two shoeshine boys happen to come across some money from a bank robbery, changing their luck.

Alberto (Fernando Soler) is married with Rosario (Blanca de Castejón), who is a saint and doesn’t realize that her husband is a womanizer that has a lover, Elena (Leonora Amar), whom is an artist and works in the theater, but when Alberto tries to break up with her in order to have a relation with Alicia (Hilda Sour) everything starts to go south for him.

Mexican romantic musical.

Struggling songwriter "adopts" a teenaged girl to protect her from her abusive father.

Famous singer hires a pianist/songwriter on the strength of his compositions, then seduces him away from his fiancee and from the paths of righteousness in general.

Luis Aguilar is a talented piano student who struggles to make ends meet. At the conservatory he meets the beautiful, rich, and also talented piano student Marta Reyes and romance ensues. One day, a full scholarship to study piano abroad is announced and both Luis and Marta fill out the necessary paperwork--but only one place is available. Luis is torn apart by his love for both the piano and Marta.

A recently separated man gets married to run away from his ex-mother-in-law, but receives a big surprise from his current father-in-law.

A girl and her boyfriend have a conflict when a neighbor tries to seduce him.