Gemma Whelan

Holly is a young, courageous hedgehog, but woefully sheltered by her overprotective Dad. Walter is an overworked, exhausted rabbit with a few dozen kids of his own, who just wants a change in his predictable routine. When this unlikely duo crashes into each other’s lives, things take a drastic turn. After a bump to the head Walter now believes that he is Sir Balderdash the Great – a hero, a warrior, a legend. While Holly, who is just thrilled to be out of the house, gets swept up in Walter's concussion fuelled fantasy.

A man is dying from a gunshot wound when the paramedic treating him discovers he's the perpetrator of a school shooting at her child's primary school, which puts her in an impossible situation.

Reader, I think you know who is most quotable. Charlotte Brontë has a confession about how one sister became an idol, and the other became known as the third sister. You know the one. No, not that one. The other, other one… Anne. This is not a story about well-behaved women. This is a story about the power of words. It’s about sisters and sisterhood, love and jealousy, support and competition. Directed by Northern Stage Artistic Director Natalie Ibu (The White Card), Sarah Gordon’s (The Edit) new play is an irreverent retelling of the life and legend of the Brontë sisters, and the story of the sibling power dynamics that shaped their uneven rise to fame. A co-production from National Theatre and Northern Stage

A routine patrol for two soldiers becomes a cat-and-mouse, life-or-death ordeal, with a difference.

In 1800s England, a well-meaning but selfish young woman meddles in the love lives of her friends.

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.

Two sisters come together to spend Christmas with their families in their recently deceased parents’ falling down country house, with hilariously chaotic consequences, as ancient sibling rivalries flare up again to sabotage the hoped for season of good will.

A district nurse is assigned a new patient living alone in a dilapidated bungalow. The nurse soon discovers that her dying patient and the home she inhabits are hiding a dark secret.

A pregnant widow, believing herself to be guided by her unborn child, embarks on a homicidal rampage.

When Sally's husband is trapped in an underground cave during a diving accident she finds herself trapped in the company of a talkative constable and an unwelcome guest.