Sayuri Tanima

Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.

Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.

Woman melodrama by Shiro Toyoda

Kindaichi challenges the mystery of an incident in which three sisters were killed one after the other according to an ancient tradition on an isolated island in the Seto Inland Sea. Kosuke Kindaichi received a will from his friend Kito, which said, "Go to Gokumon Island to save my three younger sisters," and Kosuke went to Gokumon Island. Upon arriving at the residence of Quito, there were three beautiful sisters, a crazy father, a cousin of Sanae, and Kosuke plunged into a strange atmosphere. The film adaptation of the masterpiece novel of the same name by Seishi Yokomizo. Kyozo Kataoka plays Detective Kosuke Kindaichi, and Ryutaro Otomo plays Inspector Isokawa, who can be called Kindaichi's best partner.

Sequel to "Island of Horrors" (獄門島, 1949).

No plot available for this movie.

A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.

A woman remarries after receiving official notification that her husband has died, but he returns.

After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.