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Thief Viliam, swindler Emília, and the unwitting Tobiáš are implicated in stealing St. Peter’s key. After dying and facing judgment at heaven’s gate, Saint Peter sends them back to earth with a strict deadline to recover the key or be damned. Their quest leads them to a castle where a kindly king and a beautiful princess await, but they must also outwit treacherous chancellors and foil their malicious schemes.

Frank, a native New Yorker, inherits his ancestral estate, Castle Kostka, and returns to the Czech Republic with his daughter Maria and wife Vivien after over forty years abroad. They find the castle in gradual decay, inhabited only by the long-slumbering steward Josef, housekeeper Mrs. Tichá, and hypochondriac handyman Krása. As the staff slowly awakens from the post-revolutionary 1990s inertia, Frank’s family faces a difficult decision: sell the dilapidated property and return to America or undertake the challenge of restoring Castle Kostka.

A young clerk is delegated to sort out the affairs of a certain property. It is an old castle belonging to the city with a garden, in which nobody is really interested, but the tenants of the property do not pay rent and taxes, do not work and do not send their children to school. Correcting this state of affairs will prove difficult, because it is a family of aristocratic spirits who have so far dealt with scares and witchcraft, but do not know the material concerns of ordinary mortals and cannot imagine such a revolution in their lives.

In trouble with the mob, a criminal spots a golden opportunity when he meets a teacher who bears a striking resemblance to him.

Royal scribe Janek is falsely accused of stealing a nobleman’s jeweled chest and must flee the kingdom to save his life, chased by the sinister Lord Dietrich who demands Princess Amálka’s hand for the missing treasure. Amálka defies her betrothal to join Janek, and together they unravel a centuries-old conspiracy, expose the true thief marked by a mysterious symbol, and discover their growing love, while their pursuers close in.

Maruska is a blind girl and student at the Conservatory of Music who dreams of love and having a family despite her blindness. Her dream guy has curly blonde hair and blue eyes but she ends up falling in love with the dark eyed, swarthy Marek. Maruska lives with her overly protective grandfather whom is preocupied with his long-lost love. Maruska’s neighbor and best friend is constantly struggling with his headstrong mother as she refuses to accept that her son is gay. She blames everyone else - even her husband - for her son's "deviation." The fate of all main characters is unexpectedly intertwined and told through humorous and touching situations laced with subtle irony and hyperbole. Just as in life, with its funny situations and difficult tests, unexpected revelations and surprising twists, all characters will experience times when they behave blindly and forget to listen to their hearts.

The ambulance doctor František moves away from his wife Bohuna to his new love Helena. She has been married for several years to the successful writer Karl. However, thanks to her husband's philandering, she was by no means happy in it. It seems that František and Helena are finally waiting for peaceful days and now, on the threshold of fifty, they will finally be able to experience their satisfied love. However, their enthusiasm is not shared by their past partners.

The film consists of five parts - a live-action framing story and four distinct animated episodes - each by a different creative team and in a different animation style, from Pojar and Koutský’s semi-plastic “Princess Who Never Smiled,” through Žabka’s puppet fable “The Fairy and the Bookkeeper,” Dlouhá and Váša’s paper-cut “Fisherman, His Wife, and the Golden Fish,” to Pixa’s near-future parable “Mr. Vincent”.

In a home proudly named Silverville, where natural death is a frequent, if unwelcome, guest, one morning one of the residents is found seriously injured. The director, who sweeps inconveniences and shortcuts in the functioning of the private facility under the carpet, does the same this time and conceals the incident from the police. However, the investigation starts unofficially and covertly: it is taken up by a former judge who is eager to track down the perpetrator on his own. The three story lines bring a succession of surprising revelations, playing out a range of human destinies, relationships, desires, passions, all concentrated in a single place, and the actual tracking down of the perpetrator is only the final brushstroke in the painting of human existence in its last phase, which awaits each of us.
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