Fariba Kamran

The movie Kanapeh tells the story of the lives of two families who want to get together, but in the end, a couch causes problems in their lives.

After submitting his application to resign, a judge, Ata, seeks shelter in his family villa out of town. When his son, Farhad, a university student, is released from the prison, Ata experiences a cold reunion with the family while his wife, Giti, is filing for divorce. But a car accident, leading to the death of Farhad, and the paralysis of Giti, puts him in a game of concealing the truth from Giti and Vida, Farhad’s girlfriend – just as it has been constantly concealed since the time of the loss of another family member under the heavy steps of history in a country shaken by the public movements from time to time…

During the uprising to overthrow the Shah's regime in Iran, protestors set fire to movie theatres to protest Western culture. Forty years later, four people decide to re-create the past by burning down a theatre.

Hanieh, a young teacher, lives in the household of her married sister in Tehran. Increasingly exhausted by her paralysing everyday life and the two-faced reality she subliminally experiences as a woman, an employee, a younger sister, and unhappy partner, Hanieh struggles to find her way out.

"Morteza, in his fifties and just out of jail, is trying to rebuild his life. However, when he is implicated in the drowning death of a child, he is instantly assumed to be guilty. Taher, the police officer assigned to the case, first believes in his guilt, but later becomes obsessed with proving Morteza's innocence. Directed by Sepideh Farsi, and stars Masoud Rayegany and Bijan Emkanian.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Pirzad's mother, in a telephone conversation with her, finds that she is detached from her husband, Pejman, she was informed that her son Behzad was arrested in student confrontations and he was looking for a solution. Pejman accompanies his son Septa and a woman named Bita going to the north. Cima is the sister of Homa, an environmental expert, on a journey and engineer Pirzad is hunting with his brother. Immediately following the arrest of Behzad, Sima reacts to persuading him to contact Pejman

Kaveh ( Mohammad Reza Foroutan ) and Aban ( Khazar Masoumi ), a young couple who fell in love with the heroes of our story, are foreshadowed by Bijan, Ali and Said looking for them for gardens such as Paradise of Idaho, and in this mysterious journey, we lay in layers Inside love.

Japan and Iran are not in close relationship. More than 4 centuries ago, however, Persian carpets were used in the festival of Takayama, a historic city in mountainous area of Honsyu. A man planned to resume the carpet in the festival, and asked Kinue, a Persian carpet designer, to design it. Kinue's husband, Makoto, is a carpet importer. They send the design to Iran to weave the carpet. But just before Makoto goes to Iran to receive the carpet, Kinue dies of a traffic accident. A month before the festival, Makoto went to Isphahan, Iran, to receive the carpet. He brings his daughter Sakura, who does not open her heart after she lost her mother. To surprise, the carpet production has not even started. It will take 3 months from the start. For Makoto it means he betrays not only the festival planners but also his late wife.

The trip to the Caspian Sea is a story of people who are driven by the frustrated death of Azizi in the lush green roads of the north: Aras, a hot baby mother who is self-infected with illness. The dead and husbands of the dead husband are losing Mehran, the man of his life. Spanta and her brother married the father of her architect. And Asadullah, the honey driver, speaks of death and life of the people. The last name Mehran has sent to Jaleh is from Shiva to Aras, from Aras to Spanta and to Spanta's father, and he throws it to the post box.